A few examples of appraisal values for
HOPKINS ALLEN NO 6

• ALFRED G. HOPKINS (UK, 1884-1940)
  ALFRED G. HOPKINS (UK, 1884-1940) LAMBETH STONEWARE VASE English Glazed Stoneware Vase, 1920s, by designed and modelled Alfred G. Hopkins, ribbed gourd form with narrow mouth, incised on base "A.G. Hopkins, Lambeth" and with affixed "The Harriman Judd Collection, Sotheby's" label, 7" high, 6 1/2" diam. Several base surface abrasions, likely from kiln removal.
• Group of five English colored engravings;
  Group of five English colored engravings; Henry Thomas Alken (English, 1785-1851) 6" x 8 1/2" (sight, each, approx.)
• HARRY A. EVANS. "JOHNS HOPKINS,"
  HARRY A. EVANS. "JOHNS HOPKINS," GOUACHE (American, 1926-1995). Gouache on paper, signed lr, sight size: 12 1/2 x 8 in., framed.
• JAMES R. HOPKINS, AMERICAN (1877-1969),
  JAMES R. HOPKINS, AMERICAN (1877-1969), LYRIC, ETCHING, FEMALE NUDE, 4 1/2"H X 6"W (SIGHT), 7 1/4"H X 9"W (FRAME)James R. Hopkins, American, (1877-1969) Lyric, etching, female nude signed lower right. Biography from the Archives of askART: Born in Irwin, Ohio, James Hopkins served as Chairman of the Art Department at Ohio State University for 25 years and also served as dean of the Cincinnati Art Academy* for one year. He studied for two years with Frank Duveneck and later enrolled in the Academy Colarossi *in Paris but felt no training there surpassed what he had learned in Cincinnati. He traveled around the world in 1904 and then lived in Paris until 1914, when he began his teaching career at the Art Academy of Cincinnati (1914-1920). He was known for a series of paintings of the Cumberland Mountain people of eastern Kentucky. Sources: Ran Gallery, Cincinnati, Ohio. Courtesy, Mary Leonhard Ran Peter Hastings Falk, Editor, Who Was Who in American Art etching, female nude Dimensions: 4 1/2"H x 6"W (sight), 7 1/4"H x 9"W (frame)
• JOHNS HOPKINS, HOMEWOOD, PHOTOGRAPH
  JOHNS HOPKINS, HOMEWOOD, PHOTOGRAPH 35 1/2 x 27 in., framed.
• DENNIS LYALL (B. 1946) "JOHNS HOPKINS"
  DENNIS LYALL (B. 1946) "JOHNS HOPKINS" ORIGINALDennis Lyall (American, B. 1946) "Johns Hopkins" Signed lower left. Original Oil painting on Canvasboard. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. $1 Johns Hopkins stamp issued June 7, 1989. Even though he had little education, Johns Hopkins managed to become a successful entrepreneur. Hopkins, known to his friends as Johnsie, began his lucrative career working for his uncle as a humble grocery merchant. During the recession of 1819, he recognized the advantages of taking whiskey as payment for groceries from people who otherwise could not afford to eat. Both sides benefited from this arrangement -- his grateful patrons turned whiskey into food and he turned whiskey into profit, reselling it under the brand name, "Hopkins' Best."Hopkins uncle disapproved of this business practice. The two men parted ways and Hopkins' business success continued. He feathered his nest with wise investments, and became the largest private stockholder in the fledgling Baltimore & Ohio Railroad. Upon his death in 1873, Hopkins was able to provide generously for his relatives and still bequeath a sizable sum to create The Johns Hopkins University and The Johns Hopkins Hospital. The University, a foundation for research and advanced studies, opened formally in 1876. The medical facility began to operate in 1883, and the Hospital and School of Nursing opened its doors in 1889. The School of Medicine, from the beginning closely linked with the Hospital, opened in 1893. All this thanks to Johns Hopkins, who, though lacking in education himself, left his riches to be used in founding a prestigious institution for higher education. Image Size: 16.75 x 14.5 in. Overall Size: 17.25 x 14.75 in. Unframed. (B12003) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• JOHN HOPKINS (20TH/21ST CENTURY):
  JOHN HOPKINS (20TH/21ST CENTURY): COMPOSITION NO. 64John Hopkins (20th/21st Century): Composition No. 64, 1989; painted ceramic; signed and titled to verso Dimensions: 3 1/2 x 22 in. (8.9 x 55.9 cm.) dia. Condition:
• Hopkins and Allen Hammerless Double
  Hopkins and Allen Hammerless Double Gun Accordion-Fold Circular printed by the Earon Chase & Co. Norwich Conn. 12 panels 6 in color. Condition: Very good.
• A set of six silver napkin rings,
  A set of six silver napkin rings, Walker & Hall, Birmingham 1930-33, initialled and nineteen others, approximately 428g
• MARK HOPKINS (American 20th century).
  MARK HOPKINS (American 20th century). PEACE NO MORE signed dated 94 and numbred 179/450. Bronze - Height:14 3/4 in.
• HOPKINS, ATLAS OF…HOWARD COUNTY,
  HOPKINS, ATLAS OF…HOWARD COUNTY, 1878 G.M. Hopkins ATLAS OF FIFTEEN AROUND BALTIMORE INCLUDING HOWARD COUNTY MARYLAND (Philadelphia: Hopkins 1878) Folio, leather spine, cloth boards. Exlibris Burleigh or Hammond Family, Burleigh, 1878.
• After Henry Thomas Alken (1784-1851)/Panorama
  After Henry Thomas Alken (1784-1851)/Panorama of a Fox Hunt/in six sections/colour prints, 13cm x 55cm
• HENRY ALKEN, SR.: "THE STEEPLE
  HENRY ALKEN, SR.: "THE STEEPLE CHASE SCENES" (SIX WORKS)circa 1847 watercolor on paper comprising: "The Warren Wall", "Wattle Fence with a Deep Drop", "The Brook", "The Starting Field", "In and Out of the Lane" and "The Run In " Provenance: each with gallery label verso from Richard Green, London Condition: each good. Wear to frames. Not examined out of frames each sight: 10 1/4 x 14 1/4 inches; each frame: 19 x 22 1/2 inches Condition:
• LINTON HOPKINS (1886-1968) ETCHING
  LINTON HOPKINS (1886-1968) ETCHING BUFFALO HUNTFramed etching on paper, "Buffalo Hunt," signed lower right Lin Hopkins (Linton Hopkins, American, 1886-1968), dated [19]31, sight: approx 6.25"h, 11.25"w, overall: 11.25"h, 16.25"w, 1.75lbs **Provenance: A prominent Dallas, Texas estate**
• HOPKINS, ATLAS OF…HOWARD COUNTY,
  HOPKINS, ATLAS OF…HOWARD COUNTY, 1878 G.M. Hopkins ATLAS OF FIFTEEN AROUND BALTIMORE INCLUDING HOWARD COUNTY MARYLAND (Philadelphia: Hopkins 1878) Folio, rebound, full cloth.
• HOPPER EMORY. SIX UNFRAMED ETCHINGS
  HOPPER EMORY. SIX UNFRAMED ETCHINGS Various subject matter, each pencil signed, plate size of largest: 14 x 7 in.
• A CHARLES BERESFORD HOPKINS FOR
  A CHARLES BERESFORD HOPKINS FOR ROYAL DOULTON PAINTED PORCELAIN VASEA Charles Beresford Hopkins for Royal Doulton painted porcelain vase, First-quarter 20th Century; Burslem, England Signed: C.B. Hopkins The cylindrical painted porcelain vase with beaded rim and foot and line border to the lip, depicting a sunlit pastoral landscape scene of cattle drinking at a stream 17" H x 6" Dia. Dimensions: 17" H x 6" Dia.
• BUDD HOPKINSAmerican 1931-2011Abstract.
  BUDD HOPKINSAmerican 1931-2011Abstract. Signed and dated lower left center Hopkins 62''.Provenance:Private Collection Massachusetts.Oil on paper 14'' x 11''. Unframed.''
• A set of six plus one bright cut
  A set of six plus one bright cut silver teaspoons en suite with the above by Hester Bateman London 1786.
• HOPKINS, ATLAS OF…HOWARD COUNTY,
  HOPKINS, ATLAS OF…HOWARD COUNTY, 1878 G.M. Hopkins ATLAS OF FIFTEEN AROUND BALTIMORE INCLUDING HOWARD COUNTY MARYLAND (Philadelphia: Hopkins 1878) Folio, leather spine, cloth boards.
• A set of six silver napkin rings,
  A set of six silver napkin rings, THH, Birmingham 1914, initialled RM, two silver heart-shaped bonbon dishes, a cased Christening spoon and a small silver photograph frame, approximately 332gm
• Henry Thomas Alken (British, 1785-1851) The
  Henry Thomas Alken (British, 1785-1851) The Road, No. 1 aquatint engraving 9 x 12 3/4 inches. Property from the Estate of Professor Ethan D. Alyea, Jr., Bloomington, Indiana
• HOPPER EMORY. SIX UNFRAMED ETCHINGS
  HOPPER EMORY. SIX UNFRAMED ETCHINGS Various subject matter, each pencil signed, plate size of largest: 7 x 9 3/4 in.
• Alken, H. Illustrations to Popular
  Alken, H. Illustrations to Popular Songs, Thomas M'Lean 1823, 41 hand coloured plates
• PRINT, AFTER HENRY ALKEN After
  PRINT, AFTER HENRY ALKEN After Henry Alken (British, 1785-1851), "Symptoms of Learning to do the Thing Genteel," 1822, lithograph in colors, published by Thomas McLean, Haymarket, overall (with frame): 13.25"h x 15.25"w
• HENRY ALKEN, (1785-1851), SIX PLATES
  HENRY ALKEN, (1785-1851), SIX PLATES FROM "A STEEPLE CHASE," CIRCA 1827, EACH ENGRAVING WITH HAND-COLORING ON WOVE PAPER, WITHOUT WATERHenry Alken, (1785-1851) Six plates from "A Steeple Chase," circa 1827 Each engraving with hand-coloring on wove paper, without watermark Each from the edition of unknown size and date Each with the artist name engraved in the plate at lower left: H. Alken, del. et sc.; S & J Fuller, London, England, pub. Plate of each: 9.25" H x 12.375" W; Sheet of each: 13.5" H x 16.375" W Each engraving with hand-coloring on wove paper, without watermark Dimensions: Plate of each: 9.25" H x 12.375" W; Sheet of each: 13.5" H x 16.375" W
• Harry Evans Jr. American 20th century
  Harry Evans Jr. American 20th century Baltimore gouache on paper signed ''H.A. Evans Jr.'' ur 6 x 7 1/4 in. framed Estimate $ 100-150 Frame wear. Paintings have not been examined by blacklight.
• Six aquatint sporting prints published
  Six aquatint sporting prints published Jan 1826 by J. Dickinson 114 Bond St. 5 1/4" x 8". ?
• WILLIAM H. HOPKINS (English 1853-1890).
  WILLIAM H. HOPKINS (English 1853-1890). IN THE STRAWYARD oil on canvas - Framed 14 in. x 18 1/2 in.
• Henry Alken (British 1785-1851)
  Henry Alken (British 1785-1851) Lying in Wait 1817 color engraving 10 x 14 inches.
• HOPKINS Bud.1972 Geometric Oil
  HOPKINS Bud.1972 Geometric Oil on Canvas.Signed and dated lower right. Bud Hopkins American 1931 - 2011. From a Stamford CT estate. Dimensions: 21'' high x 19'' wide. Condition: Good minor surface stain in yellow segment.
• H & J Walter The Children of the
  H & J Walter The Children of the Rev John Harrison of Bishopstone: Cissie Jane holding flowers and a basket Kate seated pointing to a ball in her left hand and William standing with a hoop inscribed on the reverse silhouette cut out on paper heightened in gilt and pencil work background 15cm x 20cm (6" x 8") in a rosewood frame
• Allen Jones serigraph, multicolor
  Allen Jones serigraph, multicolor abstract design with hat, signed in pencil lower right dated ‘64, numbered 31/75. Condition: not examined out of frame, good CT Transfer Fee $20
• RARE DOUBLE PORTRAIT OF ALFRED
  RARE DOUBLE PORTRAIT OF ALFRED AND JAMES J. COLLINS BY MILTON W. HOPKINS (CONNECTICUT/NEW YORK/OHIO 1789-1844). Oil on canvas signed on the back. The two sons of the Collins family identified on the back with their ages of six and four in 1842. The boys hold a small whip and the pet dog. Conservation report available. 25 1/4''h. 30''w. in its original gilt frame 29 1/2''h. 35 1/2''w. Ex Sumpter Priddy III (Virginia). Milton W. Hopkins and the Collins Family The Connecticut-born artist Milton W. Hopkins (1789-1844) spent most of his life in Connecticut and New York. He began his career as a portraitist in earnest when he advertised himself as a portrait painter and instructor in Albion New York in 1833. In 1836 Hopkins packed up his wife and ten children and headed west to Ohio settling in Clermont County. Though he never sold the Clermont County farm (he would die there in 1844) he would later set up a studio in Columbus (1840-1843) and then in Cincinnati (1843-1844). Based on identified portraits Hopkins clearly traveled throughout the region for commissions. Hopkins was a fervent anti-Mason and temperance advocate and according to research by Jacquelyn Oak it may have been his growing abolitionist sentiment that drove him to Ohio. She further postulates that it is through his anti-slavery efforts that Hopkins met fellow abolitionist and lawyer James Collins Jr. while in Clermont County. Collins (b. 1802 or 1803) a lawyer married Angelina (apparently sometimes called Margaret) in 1830 and had four children. Documenting their location(s) is somewhat challenging but Oak's research places them in Clermont County during Hopkins's residency and later in Illinois (always as an active member of the abolition movement). As an attorney Collins may well have spent time in Columbus (perhaps visiting Hopkins in his studio which was very near the Ohio Statehouse). The 1850 Federal Census locates the Collins family in New Albany Indiana along the Ohio River (and in their household was an African-American girl named Anne Robertson). Hopkins painted portraits Mr. and Mrs. Collins and of their sons Alfred and James in 1842. The portrait of the younger child was painted by another artist after Hopkins's death. All of the present portraits remained together and were ''discovered'' in a Missouri attic years ago. These portraits are among the few identified examples from Hopkins's Midwestern period a fact made more important because of the shared abolitionist efforts of both artist and sitter. Additionally the double portrait of James and Alfred is the only known double portrait by Hopkins. In short this family group of portraits should be considered among the most significant Midwestern portraits of the 1840s period. References: Face to Face: M.W. Hopkins and Noah North 1988 Joy-Dyer Cornelia C. Some Records of the Dyer Family 1884 Williams Byron History of Clermont and Brown Counties Ohio 1913. Complete conservation report available including before and after photos. Conservation performed by Richmond Conservation Studio (Virginia) in 1996. Addtional information is included with the lot. For a Hopkins portrait with a similar dog see Sotheby's (New York) January 2004 lot 32.
• SIX JOHNS HOPKINS CLUB MENUS .
  SIX JOHNS HOPKINS CLUB MENUS .
• Set of six Venice ''OF To-Day F
  Set of six Venice ''OF To-Day F Hopkinson Smith. First Portfolio Copyright 1894 By F. Hopkinson Smith''. Includes First (autographed) Second Fourth Eighth Ninth Tenth.